The Sarah Jane Adventures Episodes 37 & 38:
The Nightmare Man

Plot

Luke is wracked with insecurity after he decides to take early admission to Oxford University. With the day of his departure from Bannerman Road looming ever closer, he finds himself dreaming for the first time ever -- terrible nightmares which play upon his worries about leaving his home, mum and friends behind. These dreams are the work of an entity calling itself the Nightmare Man, who is feeding upon Luke's fears in order to manifest in the real world, and plunge all humanity into an eternal state of bad dreams...

Production

On June 12th, 2009 the production team for The Sarah Jane Adventures held a meeting to begin formally planning the programme's fourth season, which it was hoped would air in 2010. A major consideration was that Tommy Knight, who had played Luke Smith since the show began, had decided to step back from the series to concentrate on his education. Knight had already taken a reduced role during the third season while studying for his GCSE examinations, and found the experience gruelling; as such, Luke would appear in only two stories for the 2010 season. This would be the second time that The Sarah Jane Adventures had lost one of its young stars due to the demands of their schooling; Yasmin Paige, who had played Maria Jackson when the programme debuted in 2007, had left early in the 2008 season for similar reasons.

Luke would not be the only character whose involvement in the fourth season would be diminished. K·9 had appeared only briefly in 2007 and not at all in 2008, but a new arrangement had been reached which allowed the robot dog to take on a more substantial role in 2009. However, co-creator Bob Baker's independent series K·9 was set to debut on October 31st, 2009 in advance of a full launch on April 3rd, 2010. As such, Baker asked that the character's appearances in the new season be curtailed. It was therefore decided that K·9 would leave with Luke, who would move away from home to attend university after writing his A Levels a year early. This would also play into a larger theme for the season, in which the maturity of the young characters would increasingly become recognised.

Joseph Lidster originally had Luke forge an uneasy alliance with other Oxford undergraduates to battle an otherworldly menace

The original plan for the fourth season was to kick things off with a traditional serial which would serve as a last hurrah for the established Bannerman Road gang. This was to be handled by lead writer Phil Ford, and involved a woman who would turn out to be an ancient Mayan priestess. The second story -- referred to as “Luke's Leaving Story” -- was assigned to Joseph Lidster, who had written 2008's The Mark Of The Berserker and 2009's The Mad Woman In The Attic. This would be set at Oxford University, and see Luke forge an uneasy alliance with other undergraduates to battle an otherworldly menace -- either an alien conman posing as a Dean who had brought a swarm of extraterrestrial flies to Earth, or an ancient destroyer of worlds trapped inside a statue who was revived by a misguided student. Luke would save the day, and viewers would be left assured that he would go on to have adventures with his new friends at university.

As the two stories progressed in September and October, however, both Ford and Lidster started to run into trouble. Ford found that his serial was just biding time until Luke's departure; much like Maria Jackson had exited in the first serial of the 2008 season, he began to realise that Luke's departure needed to happen in the premiere adventure. Lidster, meanwhile, was struggling with his scripts' large cast of characters, and was having difficulty figuring out how to showcase Luke. Furthermore, the university setting was not gelling properly, leading Lidster to conclude that the story needed to be about the lead-up to Luke moving away, not its aftermath.

As such, it was decided that both Ford's and Lidster's ideas would be scrapped, with both writers starting fresh. The production team still wanted Lidster to handle “Luke's Leaving Story” due to his skill with emotional elements of the narrative, so it was agreed that Lidster would now write the season premiere, with Ford tackling the year's second serial. On October 8th, Lidster suggested seven potential ideas for the premiere, of which “A Nightmare On Bannerman Road” was best received. Inspired by the 1984 horror film A Nightmare On Elm Street, in which deceased child murderer Freddie Krueger haunted the dreams of a neighbourhood's teenagers, this involved a spate of coma patients at a hospital where Clyde was nursing a fractured ankle. The culprit was the Nightmare Man, an entity which had lurked beneath Ealing for aeons and was nourished by bad dreams. Sarah Jane, Luke, Clyde and Rani were all tortured by nightmares, but Luke was emboldened by the glimpse of his future he had experienced in The Mad Woman In The Attic, enabling him to escape the Nightmare Man's influence and trap the alien in his mind.

A nightmare version of Sarah Jane's funeral included K·9 reciting The Lord Is My Shepherd

Lidster was asked to develop his ideas further, with a direction to drop the hospital setting. For a time the storyline -- now known as The Nightmare Man -- included the eponymous entity's opposite, the Friendly Man, for whom pleasant dreams were sustenance. At the end of the story, the Friendly Man would have convinced a furious Luke not to destroy the ensnared Nightmare Man by again recalling the events of The Mad Woman In The Attic. The other major changes were to the various nightmares experienced by the main characters. Sarah Jane would have had a dream in which an adult Luke confronted her about not being allowed to go off to university. Rani's nightmare originally saw her threatened with punishment at a school where Luke was the headmaster and Sarah Jane was a teacher. A later version involved her being too preoccupied with the rest of her life to help Sarah Jane, Luke and Clyde. Lidster also conceived of a nightmare version of Sarah Jane's funeral, with K·9 reciting the psalm The Lord Is My Shepherd.

Meanwhile, The Sarah Jane Adventures was undergoing a considerable shift in its production personnel, with executive producer Russell T Davies as the only constant. Executive producer Julie Gardner had now completed her move to BBC America, and was no longer involved in the show. Producer Nikki Wilson had joined Doctor Who in the same capacity, and consequently could not oversee the day-to-day running of The Sarah Jane Adventures. It was decided that Wilson would take the place of executive producer Piers Wenger, enabling him to concentrate more on Doctor Who and his other duties as Head of Drama for BBC Wales. Brought on board as the programme's new producer was Brian Minchin, who had already worked in this role on the 2009 Comic Relief special From Raxacoricofallapatorius With Love.

On March 4th, 2010 the BBC announced that The Sarah Jane Adventures had been renewed for not one, but two further seasons. While this was, in part, a reflection of the excellent ratings earned during 2009, it was also a budgetary decision, as season four would be filmed alongside half of season five. The financial flexibility would permit a return to the production schedule of the first two seasons, which had generally been made in blocks each consisting of four episodes (two stories). By contrast, the third season had been filmed serial by serial at a breakneck pace.

Playing the Nightmare Man meant that Julian Bleach had featured as a villain on all three programmes in the Doctor Who family

However, the notion of alternating between two directors was retained from the previous year. The first block (consisting of The Nightmare Man and Ford's new adventure, The Vault Of Secrets) was assigned to Joss Agnew, who would also handle the third block. Agnew's most recent credit on the series was Mona Lisa's Revenge. As the titular Nightmare Man, Agnew cast Julian Bleach. Apart from stunt performers and monster artistes, this gave Bleach the unique distinction of having featured as a villain on all three programmes in the Doctor Who family; he had already played the Ghostmaker in the 2008 Torchwood episode From Out Of The Rain, and then Davros in the same year's Doctor Who finale The Stolen Earth / Journey's End.

Recording for the fourth season of The Sarah Jane Adventures began on March 29th, the first of three days at Upper Boat Studios. The middle day was devoted to scenes in Luke's bedroom, bookended by filming on the attic set. On April 1st, material at Park Vale Comprehensive was taped at Cardiff High School. This was followed by three days -- the 2nd, 5th and 6th -- at Clinton Road, representing Bannerman Road as usual. Also on the 5th, Sarah Jane gave Luke her old Volkswagen Beetle at a garage off Cwrt-y-Vil Road.

Agnew's team then spent several days concentrating on The Vault Of Secrets. Scenes filmed for The Nightmare Man during this period included Clyde and Rani walking to school, along Salisbury Avenue in Penarth on April 13th, and the opening confrontation with the Slitheen, at the Johnsey Estates in Pontypool's Mamhilad Park Industrial Estate on April 15th. Cast and crew returned to the Johnsey Estates on the 19th and 20th, this time for the material set in the school corridor from Luke's bad dreams. Another nightmare location was Forte's Cafe in Barry, which became the diner where Clyde toiled on the 21st. The rest of The Nightmare Man was then completed at Upper Boat, including sequences in the Chandra home on April 22nd, those in the BBC news studio and the black void on the 23rd, and various pick-up shots on the 29th.

The broadcast schedule for the new season was an amalgam of the models used over the previous three years. Like the 2009 season, The Sarah Jane Adventures would air twice-weekly, so that an entire serial would unfold over consecutive days. Like the 2007 and 2008 seasons, each episode would premiere on the CBBC digital channel, before being repeated on terrestrial television. The delay between the two was shorter than in the past, however: the CBBC transmissions would take place on Monday and Tuesday, with the repeats on the Wednesday and Thursday of the same week. Generally, the rebroadcasts were screened on BBC1, but live coverage of the Commonwealth Games shifted The Nightmare Man to BBC2. Each episode of the fourth season was prefaced by a special trailer in which Clyde introduced the premise of the series; this was the same as for the 2009 season, but with footage from new episodes intermixed. It greeted CBBC viewers when part one of The Nightmare Man aired on October 11th.

Sources
  • Doctor Who News.
  • Doctor Who Magazine Special Edition #28, 13th July 2011, “Episodes 4.1/4.2: The Nightmare Man” by Andrew Pixley, Panini Publishing Ltd.

Original Transmission
Episode 1
Date 11th Oct 2010
Time 5.19pm
Duration 27'08"
Viewers (more) 594k
· CBBC 594k
· BBC2 280k
(13th Oct 2010)
· BBCHD unknown
(17th Oct 2010)
Episode 2
Date 12th Oct 2010
Time 5.17pm
Duration 27'50"
Viewers (more) 668k
· CBBC 668k
· BBC2 380k
(14th Oct 2010)
· BBCHD unknown
(24th Oct 2010)


Cast
Sarah Jane Smith
Elisabeth Sladen
Luke Smith
Tommy Knight
Mr Smith
Alexander Armstrong
(more)
Clyde Langer
Daniel Anthony
Rani Chandra
Anjli Mohindra
Voice of K·9
John Leeson
The Nightmare Man
Julian Bleach
Slitheen
Paul Kasey
Voice of the Slitheen
Toby Longworth
Louise Marlowe
Doon Mackichan


Crew
Written by
Joseph Lidster
Directed by
Joss Agnew
Produced by
Brian Minchin
(more)

Created by
Russell T Davies
Co-Producer
Phil Ford
K·9 Originally Created By
Bob Baker &
Dave Martin
1st Assistant Director
Mike O'Regan
2nd Assistant Director
Sarah Davies
3rd Assistant Director
Delmi Thomas
Production Co-Ordinator
Hannah Simpson
Script Supervisor
Nicki Coles
Script Editor
Gary Russell
Location Manager
Gareth Skelding
Camera Operator
Martin Stephens
Focus Pullers
Steve Rees
Mani Blaxter Paliwala
Grip
John Robinson
Boom Operator
Jeff Welch
Gaffer
Dave Fowler
Standby Art Director
Beverley Gerard
Standby Props
Phill Shellard
Graphics
BBC Wales Graphics
Costume Supervisor
Barbara Harrington
Assistant Editor
Carmen Sanchez Roberts
Post Production Supervisor
Nerys Davies
Post Production Co-ordinator
Marie Brown
Colourist
Jon Everett
Online Editor
Matt Mullins
Sound Editors
Matthew Cox
Howard Eaves
Dubbing Mixer
Mark Ferda
Title Music
Murray Gold
Music
Sam Watts
Casting Director
Andy Brierley
Production Executive
Julie Scott
Production Accountant
Dyfed Thomas
Sound Recordist
Bryn Thomas
Costume Designer
Stewart Meachem
Make Up Designer
Emma Bailey
Visual Effects
BBC Wales VFX
Special Effects
Real SFX
Prosthetics
Millennium FX
Editor
Will Oswald
Production Designer
Keith Dunne
Director of Photography
Mark Waters
Production Manager
Steffan Morris
Executive Producers for BBC Wales
Russell T Davies
Nikki Wilson


Working Titles
A Nightmare On Bannerman Road

Updated 14th August 2017