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The Eleventh Doctor (2010-)
Season Thirty-One Season Thirty-One: Fairytales
First appearances of Amy Pond and Rory Williams.
2010 Christmas Special 2010 Christmas Special
Information forthcoming.

Season Thirty-One: Fairytales

The Doctor
The 
Eleventh Doctor

If the Tenth Doctor could be said to be, in many ways, the synthesis of all the Doctors who came before him, the Eleventh Doctor very much marches to the beat of his own drummer. From the outset, he is a man with his own unique vision of the world, one that is undeterred by contrary opinions. Whether it's thinking that bowties are cool, or that fish and custard make an appetising melange, the Eleventh Doctor does things his way. His thought processes, similarly, are quite unlike anything seen before: he is a Doctor prone to unexpected reactions and conclusions, who misses the obvious because he's focussed on the imperceptible. The result is a charming awkwardness, but also a confident and reassuring authority that makes the defiant buckle and the wicked quake.

Matt Smith has played the Doctor since The End Of The Time in January 2010.

The Companions

Even before her first meeting with the Doctor at age seven, Amy Pond was remarkable: quick-witted, pragmatic and fiercely independent. These characteristics only became more evident as Amy matured, emboldened by the knowledge that, for one night, she had been in the presence of a man like no other on Earth. Despite the protestations and disbelief of those around her, Amy clung to her convictions about that strange encounter with her Raggedy Doctor, and this helped form the singularly self-possessed woman she would become. Having spent most of her life waiting to join the Doctor in the TARDIS, Amy has taken to her travels with an irrepressible joy, an insatiable curiosity, and an unquenchable thirst for adventure.

Amy has been played by Karen Gillan since The Eleventh Hour in April 2010.

Amy 
Pond

Even Rory Williams himself would admit that he's nothing like his wife, Amy Pond. She's at home in her skin; he's never quite sure about himself. She's aggressive and extroverted; he's shy and retiring. She travels with the Doctor to witness the wonders of time and space; he travels with the Doctor to be with Amy. But Rory is gradually discovering that he, too, possesses reserves of bravery and cunning that he never would have suspected. He's still driven by his loyalty to, and love for, Amy above all else, but Rory is beginning to find that a vein of heroism runs through him as well.

Arthur Darvill has played Rory regularly since The Eleventh Hour in April 2010.

Rory
Williams

The Production Team
A new era for Doctor Who dawned as Russell T Davies, the man who had brought the programme back from oblivion, departed after six years. He was replaced as executive producer and showrunner by Steven Moffat. Executive producer Julie Gardner also chose to move on; her replacement as Head of Drama at BBC Wales, Piers Wenger, similarly took over her role on Doctor Who. In addition, Wenger brought Beth Willis aboard as the programme's third executive producer. Tracie Simpson remained as producer, alternating in those duties with former first assistant director Peter Bennett. In addition, Patrick Schweitzer -- normally the show's line producer -- shared Simpson's producer credit on The Vampires Of Venice and Vincent And The Doctor, which were filmed in Croatia.

The Stories
The Eleventh Hour
The Eleventh Hour by Steven Moffat, directed by Adam Smith
In the English village of Leadworth, a young Scottish girl named Amelia Pond is frightened by a strange crack in her bedroom wall. When the newly-regenerated Doctor crashlands in her back garden, he discovers that the crack is actually a fracture in space and time, through which an alien criminal has escaped. Before the Doctor can recapture Prisoner Zero, he's forced to leave to stabilise the TARDIS, and accidentally delays his return by twelve years. Now, with the help of the grown-up Amy, the Doctor has to deal not only with Prisoner Zero, but with its ruthless jailers as well.
Two years after defeating Prisoner Zero, the Doctor returns to finally fulfill his promise to take Amy with him.
The Beast Below
The Beast Below by Steven Moffat, directed by Andrew Gunn
Hundreds of years in the future, the population of Britain has fled an Earth ravaged by solar flares, aboard the mammoth Starship UK. But the Doctor and Amy discover that something about the enormous vessel is very wrong. The ship moves even though its engines aren't working, whole sections are closed off under mysterious circumstances, and the sinister robotic Smilers punish the disobedient. The Doctor finds himself assisted by an enigmatic female vigilante, while Amy learns the truth at the heart of Starship UK... but it's a truth that she can't bear to remember.
Victory Of The Daleks
Victory Of The Daleks by Mark Gatiss, directed by Andrew Gunn
Prime Minister Winston Churchill summons the Doctor and Amy to Blitz-torn London. The British forces are at their lowest ebb, but a scientist named Bracewell has come to Churchill with an amazing invention: powerful miniature tanks he calls “Ironsides”. The Doctor, however, recognises the Ironsides for what they really are: the Daleks. With a Nazi bombing run closing in, and Churchill convinced of the Ironsides' benevolence, the Doctor must learn Bracewell's secret and uncover the Daleks' plans.
The Time Of Angels / Flesh And Stone
The Time Of Angels / Flesh And Stone by Steven Moffat, directed by Adam Smith
A message left on a museum artefact brings the Doctor to the rescue of River Song, at a point in time before his first encounter with her, but after her first meeting with him. River is helping the militant Father Octavian investigate the Byzantium, a spaceship smuggling a dormant Weeping Angel. By the time the Doctor, Amy and River catch up to the vessel, however, it has crashlanded atop a ruined temple, and to reach it, they must traverse a mortuary labyrinth filled with crumbling statues. Too late, the Doctor realises that the Weeping Angel is not alone -- and that he has walked into a trap.
The Vampires Of Venice
The Vampires Of Venice by Toby Whithouse, directed by Jonny Campbell
The Doctor escorts Amy and Rory on a date to sixteenth-century Venice. No sooner have they arrived, however, than they become embroiled in the mystery surrounding an enigmatic school for young women run by the powerful Rosanna Calvierri. Those accepted to the school become mysteriously changed, shunning the daylight and professing not to know their former acquaintances. The Doctor begins to suspect that there are vampires on the loose in Venice -- but could the truth be even more sinister?
Striving to prevent Amy's adventures from breaking up her engagement, the Doctor invites Rory to join them aboard the TARDIS.
Amy's Choice
Amy's Choice by Simon Nye, directed by Catherine Morshead
The Doctor, Amy and Rory are confronted by a cryptic figure who calls himself the Dream Lord. The Dream Lord has caused the three time travellers to flit back and forth between two different realities -- one in which they're stranded aboard a crippled TARDIS, the other in which Amy and Rory have settled down in Leadworth and are about to become parents. In both cases, the trio face a mortal danger... but they first have to deduce which is the true reality, or risk becoming trapped in the dream for the rest of their lives.
The Hungry Earth / Cold Blood
The Hungry Earth / Cold Blood by Chris Chibnall, directed by Ashley Way
The TARDIS brings the Doctor, Amy and Rory to the tiny Welsh village of Cwmtaff in the year 2020. There, a drilling project seeks to burrow deep beneath the surface of the Earth. Strange craters have begun opening up near the drill site, however, dragging people into the ground -- and Amy becomes the latest victim. Investigating, the Doctor realises that the drill has awakened a tribe of Silurians from their aeons-long slumber. Believing themselves to be under attack, the Silurians are now on a war footing, preparing an offensive against the human race.
Rory is shot saving the Doctor's life, and is then wiped from existence by the mysterious cracks in time and space.
Vincent And The Doctor
Vincent And The Doctor by Richard Curtis, directed by Jonny Campbell
At an exhibition of the works of Vincent Van Gogh, the Doctor and Amy discover a disturbing image hidden in one of his paintings. Travelling back to Provence in 1890, they discover that Van Gogh is plagued by a ferocious monster called the Krafayis that only he can see. As the time travellers struggle to deal with an invisible monster, they must also navigate the tortured artist's swings of mood, knowing full well that, within two months, he will have taken his own life.
The Lodger
The Lodger by Gareth Roberts, directed by Catherine Morshead
A strange force affects the TARDIS, stranding the Doctor on modern-day Earth while Amy is trapped in the rapidly deteriorating time machine. The Doctor traces the mysterious influence to a seemingly ordinary home in Colchester, where Craig Owens, the tenant of the downstairs flat, is advertising for a roommate. The Doctor answers Craig's ad -- and proceeds to turn the young man's life upside-down, even as he investigates the mysterious occupant of the upstairs apartment, who lures people into the house who are then never seen again.
The Pandorica Opens / The Big Bang
The Pandorica Opens / The Big Bang by Steven Moffat, directed by Toby Haynes
A message transmitted down through history draws the Doctor and Amy to England in AD 102. There they find River Song waiting for them, with a warning that a legendary prison called the Pandorica, hidden beneath Stonehenge, is about to open. But the Pandorica is actually a trap set for the Doctor by a legion of his oldest enemies. And meanwhile, a mysterious force has seized control of the TARDIS, setting in motion an explosion which threatens to destroy the entire universe. With the Doctor imprisoned in the Pandorica for eternity, will silence fall across all time and space?
Revived by the Doctor's reality reboot, Rory rejoins his new bride, Amy, and the Doctor in the TARDIS.

Making History
2010 saw almost everything about Doctor Who change. A new production team was in place behind the cameras, a new regular cast appeared on television screens, and even elements such as the logo, the TARDIS console room and the police box shell itself were revamped. Nonetheless, Doctor Who retained much of its popularity, even as Moffat pushed the programme in new directions with a storyline stretching beyond the confines of a single season.

2010 Christmas Special

The Stories
Episode 76
Episode 76 by Steven Moffat, directed by Toby Haynes
Synopsis forthcoming

Making History

On March 18th, 2010, at the press screening to launch the new season, Piers Wenger confirmed that Matt Smith's second season had been commissioned by the BBC, to air in 2011. He also noted that there would indeed be a 2010 Christmas special. This will see Doctor Who acquire a new producer in the form of Sanne Wohlenberg, whose previous credits include Funland, The Whistleblowers, Wallander and the telefilm Margaret (with Lindsay Duncan). Filming for the special began on July 12th, 2010. Some reports have indicated that it is called “Father Who?”, but this may simply be the title given to the press release announcing the start of production.

In response to months of rumours, Neil Gaiman (writer of the Sandman graphic novels, books including Stardust, American Gods and Coraline, the feature film Beowulf, as well as episodes of Babylon 5 and the TV miniseries Neverwhere) has acknowledged that he is writing an episode for the 2011 season (one originally intended for Season Thirty-One, and now scheduled to be the third story of Season Thirty-Two). Gaiman's story briefly bore the working title “The House Of Nothing”, but this has since been changed.

Also writing for Season Thirty-Two is Mark Gatiss, who has previously contributed The Unquiet Dead, The Idiot's Lantern and Victory Of The Daleks. He also appeared in the programme as the eponymous villain of The Lazarus Experiment, and has collaborated with Moffat on the BBC's modern-day adaptation of Sherlock.

Known directors for the season include:

At the Edinburgh International Television Festival on August 28th, Moffat revealed that the 2011 season will be split in two, at his request. The first seven episodes will air in the spring, ending on a “gamechanging” cliffhanger. The remaining six episodes will then be broadcast in the autumn. Moffat also indicated that there would be a 2011 Christmas special.